DARE conferences and symposia connect the expert and interested, the academic and the practitioner.
A new approach to sharing research on topics inspired by Opera North’s mainstage programme, DARE Sandpits, and contemporary culture.
Unfrozen: Reports from the Ice
19 October, Howard Assembly Room, 12.30 – 13.30. To mark Green Great Britain Week, Opera North is hosting the Priestly Centre for Climate’s lunchtime lecture Unfrozen: Reports from the Ice.
Past events have included: –
Institute of Psychoanalysis (IoP) Northern Summer School: 15-16 June 2018. A partnership between DARE and the IoP. Performance, workshops, discussion groups and presentations introduced the key concepts in psychoanalysis.
A Beautiful Death: 18 February 2015. Howard Assembly Room. Leading thinkers and artists explored the relationship between violence and its artistic representation in film, opera and visual arts.
The Art of Risk. 26 June 2014. Howard Assembly Room. This one-day event brought together people from a range of backgrounds, including arts, medicine and psychology. It explored the pitfalls and creative potential of risk through presentations, discussions, provocations and performances. Read the article in Arts Professional
“This symposium had me considering risk from so many different perspectives – medicine, direction, performance, crime, interpretation offers a crucible for creative dialogue which refreshes and expands my own practice.” Susan Godsill, Psychoanalyst.
Richard Wagner’s Impact on His World and Ours. 30 May-2 June 2013. University of Leeds. To mark the 200th anniversary on 22 May 2013 of the birth of Richard Wagner, this international conference embraced the multitude of artistic and non-artistic disciplines that have felt the composer’s impact.
Performance Studies International. 27 June-1 July 2012. University of Leeds and performance venues across the city. The University’s School of Performance and Cultural Industries won the bid to host the conference in 2012. An International Festival of Performance complemented the conference and embrace a range of DARE initiatives including performance, panel discussions and workshops.
The Theory, Practice and Business of Opera Today. 12-14 April 2012. University of Leeds. A new kind of international opera conference brought practitioners and academics together to debate key themes through presentations, workshops and performance. Conference speakers included Opera North’s General Director Richard Mantle, Pettman Dare Scholar Hugo Zanker, and DARE Collaborative PhD student Jenny Daniel.
Histories of Violence. September 2011. A multi-media web forum exploring the theoretical, empirical and aesthetic dimensions to the problem of violence. Launched to coincide with the 10th anniversary of 9/11 and including filmed symposia, exhibitions and interviews plus a feature on operatic violence.
The OPENCOV Experiment. 12 February 2011. Stage@leeds. A one-day symposium which explored and shared the experiences and learning from the OPENCOV project, through workshops, roundtable discussions and presentations. Delegates included academics, performers and a broad spectrum of arts practitioners.
Between the Lines: Re-figuring the Miner’s Strike. 26-27 March 2010. Stage@leeds. A workshop and photographic retrospective on the miners’ strike. Featuring writing workshops with poet and BBC presenter Ian McMillan, an interview with photographer Ken Wilkinson by Dr Philip Kiszely and an exhibition of Ken Wilkinson’s photographs of the miners’ strike.
Heimat. 5 November 2009. Howard Assembly Room at Opera North. A partnership between Dare and Leeds Film Festival. Talks about and screenings of Edgar Reitz’s classic TV films Heimat, plus reflections on representations of history and German-ness, music, film, modernism and contemporary German film.
Discovering Dante: an evening of poetry, music and art. 7 October 2009. Howard Assembly Room at Opera North. Short readings, projected illustrations and performance by Leeds Cathedral Choir reveal the power and drama of Dante’s Italian.
Professor Slavoj Zizek. 10 March 2009. Howard Assembly Room. The International Director of the Birkbeck Institute for the Humanities at Birkbeck, University of London discussed: Brunhilde’s act, or, why was it so difficult for Wagner to find a proper ending for his Twilight of the Gods? Followed by a Q&A.
Sex and Sensationalism in Early Romantic Opera’ (1800-1830). 7 March 2009. School of Music, University of Leeds. A one-day symposium contextualising the British premiere production of Spohr’s Pietro von Abano (1827). Keynote speaker: Dr Wolfram Boder, author of Die Kasseler Opern Louis Spohrs.
Promoting Models of Arts & HE Collaboration. 25 February 2009. Stage@leeds. This symposium explored collaboration and how Arts Council England can support models in the region and included a presentation about DARE. Organised by EIAT Creative Education.
Skin Deeper: Cosmetic surgery and popular culture. 24 January 2009. Howard Assembly Room. Independent critic Lynne Walker led a panel of academics and artists to explore the ethics of cosmetic surgery. To coincide with Opera North’s new commission Skin Deep , composer David Sawer, libretto Armando Ianucci.
Vengeance & Desire. 14 December 2008. Leeds Town Hall. Conference day on the theme of psychoanalysis and sibling rivalry. Keynote address: Juliet Mitchell, Professor of Psychoanalysis and Gender Studies at Jesus College, Cambridge. An Opera North/ CentreCATH collaboration to coincide with Opera North’s new commission, Skin Deep.
America Elects. 2 November 2008. Stage@leeds. Cultural and political commentators provided an insight into the race for the Whitehouse, to coincide with Opera North’s new productions of Gershwin’s Of The I Sing and Let ’em Eat Cake. Speakers included David Aaronavitch The Times, Steve Bell The Guardian, and Mandy Merrick, Royal Holloway College.
Music and the Idea of the North. 5-7 September 2008. Leeds Town Hall. The conference – a collaboration between the University of Leeds School of Music and the Institute of Northern Studies at Leeds Met, Opera North, and Leeds International Concert Season – celebrated the 150th anniversary of Leeds Town Hall. It culminated in a gala performance of Walton’s Belshazzar’s Feast on 6 September, featuring the Orchestra of Opera North. International speakers from the UK, US, Canada, Scandinavia, Germany, Italy, and Russia, explored relationships between music and northern identities across the globe.
4th Annual Film and Music Conference. 4 – 5 March 2008. Bradford Film Festival. On the theme of Shakespeare, hosted by The University of Leeds School of Music, the School of Art at Brunel University, and the National Media Museum, Bradford, and in association with DARE. Highlights included a keynote interview with Patrick Doyle, and a master class hosted by Gary Carpenter.
Yorkshire Universities Annual Conference 2008. February 2008. Opera North and the University of Leeds presented the DARE collaboration as a case study of the cultural role of Higher Education.
Shakespeare: modification of text for stage. 30 January 2008. School of Music, University of Leeds. This symposium brought together academics and practitioners to debate the crucial elements in successful adaptation, based on Opera North’s season of new main-stage productions, Macbeth; A Midsummer Night’s Dream; and Romeo et Juliette.
The Orpheus Myth in Modern Culture. 23-25 November 2007. A collaborative venture between Opera North Projects and the University of Leeds School of Fine Art, History of Art & Cultural Studies. Over three afternoons, leading speakers from the arts and academic worlds explored the enduring potency of the Orpheus Myth – from Monteverdi’s opera to American TV series, Buffy the Vampire Slayer. As well as the discussions the conference featured film screenings (including Jean Cocteau’s Orphee and Marcel Camus’ Black Orpheus), poetry readings and live performance.